7/9/2023 0 Comments Filthy frank shush faceRemarkably, fans of Miller’s music rarely draw from or overlap with his YouTube fanbase: In fact, some Joji fans had to find out the hard way about Filthy Frank. 2, 2020, he made his TV debut on The Tonight Show with Jimmy Fallon. In the same year as his retirement, he joined the popular Asian music collective “88rising” alongside Rich Brian, Keith Ape and more. Miller was not just trying out music as a hobby: The magnitude of his success as a “sad boy” just might have overshadowed his fame from YouTube. Fans across Reddit mourned the loss of their beloved Papa Franku, but Miller’s days of trolling were no longer.įollowing Miller’s retirement was a series of quiet SoundCloud releases driven by lo-fi production and tinged with melancholy lyrics - the kind of music that is generically hipster, but always seems to sell. Turns out, shamelessly trolling millions of people takes a toll on a person in a now-deleted tweet posted in December of 2017, Miller renounced his YouTube career, somewhat dispassionately explaining that producing comedy was no longer enjoyable. By trolling with a purpose, Miller proves that in the environment of PC culture, the most anti-couth, obnoxious content garners just as much attention as, if not more than, the normal stuff. Miller himself is self-aware: The description for TVFilthyFrank reads, “Filthy Frank is the embodiment of everything a person should not be” - and that he is. I call him “Frank” instead of “George Miller” here because, fortunately, Filthy Frank is just a character. In fact, half the enjoyment in Frank’s content comes from getting an oblivious friend to watch him for the first time and seeing the inquisitive expression on their face melt into complete revulsion. There is no better introduction to the omniverse of Frank than one of his videos - I can sit here and try to describe what it’s like to see a man dressed as Guy Fieri wrap a dead rat with a tortilla, but it’s not going to evoke the sort of visceral disgust the real thing would. His most influential character, “Pink Guy,” even released a chart-topping joke album with song titles that should not be repeated in print. Among his most popular videos were “ RAT CHEF,” in which he cosplayed Guy Fieri cooking with dead rats and “ WEABOOS,” where he ranted about the strange fanaticism of anime-lovers (which also happened to be his target demographic). Priest” - rarely would he be recognized as his government name.įrank’s content was defined by its stunning profanity and purposeful ignorance of all things taboo - he indulged in shock comedy that included racial stereotypes, unflinchingly gross food-related videos and a macrocosm of Filthy Frank lore. Zealots of Frank will often refer to him as one of his numerous monikers, including “Papa Franku,” “Sir Francis of the Filth” and “Mr. I imagine this resembles what goes through George Miller’s head as he is attacked by memories of his past self as “Filthy Frank,” the YouTube persona who characterized an entire generation of SJW-destroyers with his shocking, edgy humor. Most of my senses are overwhelmed, but my ears are the most diligent observers, picking up fragments of conversations that I probably would have been better off not hearing. It goes like this: The interior of the bus reeks of exhaust and poor hygiene, the bus driver struggles to block out the lawless chaos behind them, my brain rattles in my skull with every pothole and bump in the road. Perhaps the most vivid core memory from my childhood took place on a middle-school bus ride. Whether they hint at something psychological or result from a series of misfirings in the brain, these sneaky little snippets of childhood always cause me to lose my footing and reminisce with a sad smile or, in some cases, wince in humiliation and maybe want to bang my head against the wall. One moment, you might be reading a book when your traumatic third-grade birthday party strikes you with the efficiency of a right hook. Childhood memories are often specks in the rearview mirror a lifetime of experiences fills the rift between adulthood and the simpler times of the past.
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